Screen Tests

Stories and Other Writing

by Kate Zambreno

On Sale: 07/23/2019

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Screen Tests

Stories and Other Writing

by Kate Zambreno

On Sale: 07/23/2019

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About the Book

Book to Watch in 2019: The Millions, Nylon, Domino, Bustle, Book Riot, Buzzfeed, Vol. 1 Brooklyn

A new work equal parts observational micro-fiction and cultural criticism reflecting on the dailiness of life as a woman and writer, on fame and failure, aging and art, from the acclaimed author of Heroines, Green Girl, and O Fallen Angel.

In the first half of Kate Zambreno’s astoundingly original collection Screen Tests, the narrator regales us with incisive and witty swatches from a life lived inside a brilliant mind, meditating on aging and vanity, fame and failure, writing and writers, along with portraits of everyone from Susan Sontag to Amal Clooney, Maurice Blanchot to Louise Brooks. The series of essays that follow, on figures central to Zambreno’s thinking, including Kathy Acker, David Wojnarowicz, and Barbara Loden, are manifestoes about art, that ingeniously intersect and chime with the stories that came before them.

"If Thomas Bernhard's and Fleur Jaeggy's work had a charming, slightly misanthropic baby—with Diane Arbus as nanny—it would be Screen Tests. Kate Zambreno turns her precise and meditative pen toward a series of short fictions that are anything but small. The result is a very funny, utterly original look at cultural figures and tropes and what it means to be a human looking at humans.”—Amber Sparks

“In Screen Tests, a voice who both is and is not the author picks up a thread and follows it wherever it leads, leaping from one thread to another without quite letting go, creating a delicate and ephemeral and wonderful portrait of how a particular mind functions. Call them stories (after Lydia Davis), reports (after Gerald Murnane), or screen tests (inventing a new genre altogether like Antoine Volodine). These are marvelously fugitive pieces, carefully composed while giving the impression of being effortless, with a quite lovely Calvino-esque lightness, that are a joy to try to keep up with.”—Brian Evenson

Educator and Librarian Resources

Critical Praise

“In Screen Tests the author picks up a thread and follows it wherever it leads, leaping from one thread to another without quite letting go, creating a delicate and ephemeral and wonderful portrait of how a particular mind functions. Call them stories (after Lydia Davis), reports (after Gerald Murnane), or screen tests (inventing a new genre altogether like Antoine Volodine). These are marvelously fugitive pieces, carefully composed while giving the impression of being effortless, with a quite lovely Calvino-esque lightness, that are a joy to try to keep up with.” - Brian Evenson

“Kate Zambreno writes with a winning, gleeful transparency about days and nights spent entranced by literature, film, and her own densely populated imagination. Zambreno pays attention to her own desire’s fluctuations—to attachments, moods, self-constructions, and self-abasements, reconfigured in a series of shadow-box homages to writing as an asymptotic specter. In rhythm-conscious bulletins, streaked with passionate candor, she confirms her vocation as haunter and as haunted.” - Wayne Koestenbaum

“If Thomas Bernhard’s and Fleur Jaeggy’s work had a charming, slightly misanthropic baby - with Diane Arbus as nanny - it would be Screen Tests. Kate Zambreno turns her precise and meditative pen toward a series of short fictions that are anything but small. The result is a very funny, utterly original look at cultural figures and tropes and what it mean to be a human looking at humans - a book you’ll want to shove at  every smart reader you know.” - Amber Sparks

“These stories and essays are layered and build as a Goldin-esque slideshow of textual stills that, often through other art and artists’ lives, explore the book’s central first person voice as private figure, as public figure, as member of the (abstract) writing “community”, as mother, as an aging (female) body, as a person who has escaped their idea of nothingness through dedication to and persistence in making work.” - Jen George

“Weird, daring, triumphant.” - Sofia Samatar

“A wide-ranging collection of stories and other writing snippets that manage to possess both urgency and a feeling of smallness, all the better to stick inside you with the precision of a splinter. Like Zambreno’s other work, Screen Tests feels vaguely confrontational in the best possible way; it’s a challenge to readers to interrogate the ways they think about things like aging, art, celebrity, and productivity. It’s also a delight; I dog-eared countless of its pages, always finding new moments of recognition, feeling the same kind of glee as when I discover a new friend shares a particular obsession of mine.” - Kristin Iversen, Nylon

“There is no other writer on the planet like Kate Zambreno. She is singular inside language and she rearranges it enough to undo all of signification. Not even Stein, or Woolf, or Acker ever risked as much on the page. My entire adult life, I have waited for novels that make me feel like something radical has happened to me. The occurrence is rare; most novels make me feel like something I’ve already felt for too long. Sometimes I feel an American shame for what novels have become. I lose hope. When that happens, I return to Kate’s novels and reread. Every single time something else explodes on the page as well as in my body. Bomblettes across the territory or art, interrupting our mindless consumer existences, reminding us that we are alive and in relation to language.”
- Lidia Yuknavitch

“A master of the experimental lyric essay.” - Publishers Weekly (starred review of The Appendix Project)

“The small works, which combine the concision of Lydia Davis with the satirical wit of Thomas Bernhard, may appear to be a new flash form for the novelist. But on a second look, they are a natural extension of her practice: art world adjacent explorations of our cultural landscape. [Zambreno’s] writing often feels like an automatic act, her essays speculative, fluid—fugitive even—and utterly unpindownable.” - Interview

“There is a singular twitchiness intrinsic to brilliance, a quickness that’s always primed to start sparking. It’s difficult to capture this in fiction, because this kind of mercurial motion doesn’t really like to be restrained on the page. But, it’s vividly present in Kate Zambreno’s latest, Screen Tests (not “Scream Tests,” but also not not “Scream Tests,” maybe). This collection of stories and snippets ranges far and wide within the reaches of Zambreno’s mind, touching on topics like nemeses and art and dogs in film; Zambreno also reflects on cultural figures from Peter Hujar and Kathy Acker to Amal Clooney, offering skewed, subversive perspectives that manage to make my own thoughts on the subjects that much more lucid. It’s the rare book that’s a pure joy to read, but this is one; it delights in petty enthusiasms and grievances, it steals its way into your consciousness like only the most worthwhile things do.” - Nylon “Best Books Summer 2019”

“Kate Zambreno’s work has encompassed both comprehensive examinations of the lives of artists and blistering forays into fiction. With Screen Tests, she juxtaposes the two, offering readers both autobiographical stories and essays inspired by fiction and art — and, in the process, demonstrating how different windows on some of the same themes can be revelatory.” - Vol. 1 Brooklyn

“Zambreno’s Screen Tests is just as ineluctable as the series of short, silent, black-and-white film portraits by Andy Warhol that they’re named after. This too gives a good sense of the book’s structure: a series of short glimpses that look deeply, and often contain autobiographical components or disquisitions.” - The Millions, Most Anticipated Books of 2019

“Zambreno’s writing raises questions about criticism (particularly by women), the gaze, failure, and the persistence of time. She shows us that all good criticism is about what it means to look, slowly and closely. She proves that criticism is an art of navel-gazing in the best and worst ways. Art asks questions about the larger world, but also about itself, and about what it costs to make art in the world. And, of course, about the critic. Zambreno offers a way to examine oneself in one’s writing; she gives license to both her reader and herself to not sit still.” - Hyperallergic

“[A] clever and intriguing collection…. The vexed, insightful, and funny narrator is fascinated by time and motion, self and image, age and death. By raiding her ‘archives of loneliness and longing,’ Zambreno has forged a nimble and provocative exploration of the glow and shadows of artistic lives.” - Booklist

“An intellectually rigorous experience….The bifurcated structure of Screen Tests hints at something profound and disorienting about the not-so-clear dividing line between narrative and reality….The screen tests grapple with their subjects’ work while addressing questions of identity and community and continuity; the critical essays in the book’s second half seem to echo themes that emerged in the screen tests. That the lines between fiction and nonfiction are blurred here is precisely the point.” - Longreads

“[Zambreno] twists around moments that feel glamorous, tragic, and bleakly ironic: an invitation to attend the annual Jean Seberg International Film Festival in Ohio; the way her dad insists on nicknaming her baby “Tallulah Bankhead,” an actress whose dying words were “Codeine... Bourbon”; the fact that Patty Hearst was a winner of the Westminster Dog Show, in later life. Reading Zambreno has always felt more intimate than many writers: with Screen Tests, she is more teasing than before. Because what’s more intimate than a joke?” - SSENSE

“Zambreno gives the reader insight into the ambulatory nature of her process, a generosity atypical of writers….The last sentence in each of the short stories in Screen Tests twists the knife in the same way Lydia Davis does—it almost becomes like a poem.” - Hazlitt

Product Details

  • ISBN: 9780062392046
  • ISBN 10: 0062392042
  • Imprint: Harper Perennial
  • On Sale: 07/23/2019
  • Pages: 304
  • List Price:21.00 CAD
  • BISAC1 : FICTION / Short Stories (single author)
  • BISAC2 : LITERARY COLLECTIONS / Essays
  • BISAC3 : LITERARY CRITICISM / Feminist

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